SYNOPSICS
Ce qui nous lie (2017) is a French,English,Spanish movie. Cédric Klapisch has directed this movie. Pio Marmaï,Ana Girardot,François Civil,Jean-Marc Roulot are the starring of this movie. It was released in 2017. Ce qui nous lie (2017) is considered one of the best Comedy,Drama movie in India and around the world.
Three siblings reunite at their home in picturesque Burgundy to save the family vineyard in this tender tale of a new generation finding its own unique blend from acclaimed director Cédric Klapisch (L'Auberge Espagnole). Jean (Pio Marmai), the black sheep of the family, unexpectedly returns home from a decade abroad to reconnect with his hospitalized father. He's welcomed by his strong-willed sister, Juliette (Ana Girardot), who took over the reins of the vineyard after their father fell ill, and Jeremie (Francois Civil), the youngest of the three who has recently married into one of the region's more prestigious wine families. Their father passes shortly after Jean's return, leaving them with the estate and a looming inheritance tax of half a million dollars. As four seasons and two harvests go by, Jean, Juliette, and Jeremie have to learn to reinvent their relationship and trust in each other as they work to preserve the land that ties them together.
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Ce qui nous lie (2017) Reviews
It's not a standout work but quietly confident and satisfying
Making wine and drama. Jean (Pio Marmaï) left his family home ten years ago. When father falls ill, he returns and reunites with his sister Juliette (Ana Girardot) and brother Jérémie (François Civil), to sort out stuff between them. Ah families. Their problems and conflicts seem very important for themselves, but are often difficult to understand for bystanders. This is also true for writer-director Cédric Klapisch's latest, slow-burning but quite nice drama about the importance of family and the power of forgiving. The short summary feels sugary, and Klapisch does aim for feel-good, but the movie does not try to manipulate with audience in any tasteless way. It is actually realistic depiction of well-behaved and intelligent family's life, where everybody has their problems but these are not solved in overtly dramatic way often expected from family sagas. This subtle approach doesn't make for very engaging drama, but the feel-good factor is important part of the movie. If you care to invest yourself in these characters' lives, you will probably feel like a part of their group in their end. Which is the best thing this kind of movie can ask for. One can also learn quite a lot about making and appreciating wine. 113 minutes makes it rather long watch, it's not a standout work but quietly confident and satisfying. I don't like international and also Estonian title Back to Burgundy" (Tagasi Burgundiasse") which is not as eloquent as the original – directly translated What Links Us" (Mis meid seob"). But you would have to watch the movie to care about this, I guess.
Excellent movie
It is an excellent movie that made me experience a lot of feelings. Definitely, needs to be watched by people. All the interactions between the main characters make the public feel really involved with the movie. The director really did an effort in applying the best technology for the elaboration of the movie.
the family troubles of the winemakers
People who love wine will have a lot of reasons to like Cédric Klapisch' film 'Ce qui nou lie' (the English title is 'Back to Burgundy'). The landscape of Burgundy beautifully filmed during all the seasons of the year is the setting of a story whose heroes are people who not only make a living from wine, but wine is all they know and want to do, a tradition that they inherited for many generations, on properties that pass from grandfather to father to son and daughters. It's beautifully filmed, with a lot of technical and craft details, described with respect and dedication. I love wine, so I liked very much this facet of the film. Yet, 'Ce qui nou lie' is more than this. Director Cédric Klapisch demonstrated in previous movies like (especially) L'auberge espagnole or Chinese Puzzle that he knows and likes to build family and relationship melodramas, with credible characters that he makes us care about. This is what he also tries to do here, but in this case he seems to gather too many intrigues that do not fit that well one with the other: we have an over-the-years brothers reunion, a father-son relation that keeps being strained over the years and even after the death of the father, a land inheritance under pressure because of the decisions of the late father and taxes and economic pressure, generation conflicts and kids at the other side of the planet, etc. Some of these are better described, other are solved by sudden and less credible script writing tricks, my overall feeling was that none was that much important and you end asking yourself what was more important - the stories or the beautiful background and the style of life of the characters. Fortunately, the film is helped by splendid acting. The roles of the three siblings are trusted to three actors I know less or not at all, Pio Marmaï, Ana Girardot, and François Civil and all three do a fine job. A few of the camera moves are really memorable (the departing silhouettes of the three brothers right after a flashback that showed them hugging together with their mother many years before, the bed scene with the elder brother and his girlfriend separated and brought together at the same time by their 5 years kid). Overall it's a satisfying film, with charming moments, a little too long, but there are more reasons than the love of wine to go and see it.
The emigrant experience reversed.
Best film I've seen (#5) of the Sydney film festival (so far, 7 to go). It's French, it's charming, but it is never a cliché. That's difficult because the world in general has so many preconceptions about France. It's about wine, and Thank You, I learnt a lot. The cinema was full, lots of French people and lots of French speakers, including those, comme moi, who vaguely imagine we speak French. The French wine board missed an opportunity, they could have had a testing in the foyer, and it would have been a sucès folle. It's a film about family, and how you cannot really know them, no matter how you think you do. It's also about tax and travel, and for all the French people out there, please note: There are NO inheritance taxes in Australia. And it is easy to work for yourself. No permission or paperwork required, just sweat. That is probably why Jean is growing wine in Australia. He is torn between his life here and his life in Burgundy, and a satisfactory answer is hard to find. It is a chord which every Australian understands (and why this film should get wide release here, please) we all go back to Burgundy or Thessiloniki or Liverpool to find what we left, and for many of us, it turns out to be just not what we remembered for good or bad. The way this is shown, so lightly and, very delicately, is one of several reasons this film is special. The ending is particularly good.
Perfectly balanced human document
I loved this movie, and I think 'Retour en Bourgogne' is a must-see for people who love France. I enjoyed the seemingly simple and very charming camera-work It hides in fact a very dedicated vision of both director and camera workers.The actors are very good also, because they act naturally as if they are telling their own life story. Enough surprises to keep you stick to the story-line.I was part of this family in no time, and wanted to help them with all these questions that life brings up to us people, as we grow older. I would have liked to have such very nice family members as in this movie!!It never gets too sentimental, which could have easily happened. I liked the way different times and places were entangled. It was pure poetry!