SYNOPSICS
Ein Freund von mir (2006) is a German,Spanish movie. Sebastian Schipper has directed this movie. Daniel Brühl,Jürgen Vogel,Sabine Timoteo,Peter Kurth are the starring of this movie. It was released in 2006. Ein Freund von mir (2006) is considered one of the best Comedy,Drama movie in India and around the world.
An introverted insurance executive at a car rental service is annoyed by his hyperactive, garrulous coworker, but the two end up becoming friends.
Ein Freund von mir (2006) Trailers
Same Actors
Same Director
Ein Freund von mir (2006) Reviews
"I stole away and cried"
Usually I tend to avoid German movies for reasons that are rather dubious, but yesterday I let my friend drag me into "Ein Freund von mir" - and I'm glad that he did. "Ein Freund von mir" is a slow-paced film that tells the story of young urban professional Karl (Daniel Brühl) who by chance gets to know casual labourer Hans (Jürgen Vogel). The movie is almost entirely devoted to showing the development of their friendship and the numerous tests it has to pass. I think the director keeps an excellent balance between dialog and visuals throughout the whole movie - it is neither dialog-heavy nor does it shy away from showing very authentic conversations when they are necessary. Authenticity for me is probably the most important quality of the film. Not once did I have the feeling that a scene couldn't have easily happened "in real life". While this does not necessarily make a good movie (after all, real life can be pretty boring), it adds immensely to this one because much of its appeal consists of identifying oneself with various situations in the movie. In that sense, many many scenes really worked for me. "Ein Freund von mir" is a thoughtful, moving but still quite funny movie that never has to try hard to get its story across, for me the best film I've seen since Linklater's "Before Sunrise".
a fight club of latencies
Definitively one of the ten best, to my opinion most likely The best movie produced and released in Germany this year. A masterpiece, story-, acting-, picture- and sound-wise. Vogel as Hans is hilariously funny, Brühl outstanding as his real counterpart and a compelling Simone Timoteo. Entertaining and moving. Once again and even more than the first time Schipper has proved his outstanding talent for subtle storytelling. I saw it in a crowded cinema, the audience was laughing through half of the movie, though it reminded me of Ozus evenness as much as of van Sants verité - style (e.g. the long, uncut shots) without being documentary or raw at all (absolutely NO dogma movie). If you think Gerry (Gus van Sant) was beautiful but somehow boring (at least when watching it a second time), watch this one - you will like it. A movie as simple as ambiguous done with an outstanding reliable sense of style. either life is nothing or it must be everything
Review
Despite his successful career at a car insurance company, Karl (Daniel Bruhl) is unfulfilled by life. Sent to a car rental company as a spy, he meets the wild Hans (Jurgen Vogel) whose intrinsic happiness and carefree nature is incomprehensible to Karl. Thus unravels the friendship between our two protagonists, with the help of some excellent comic scenes involving nude driving and a cleverly constructed Spanish dialogue between Karl and Stelle (Sabine Timoteo). Sebastion Schipper introduces his characters with humour and compassion and reflects on the complexity and contradictions of human nature. Unfortunately, however, the viewer is left unsatisfied by the depth to which Shipper's narrative takes us.Indeed, much like Karl at the film's beginning, the viewer leaves this movie feeling somewhat unfulfilled.
German cinema is terribly going wrong....
If this movie is anything at all, it's an epitome of the state German film is in: incredibly clichéd and unimaginative, ultimately boring output of a team that could certainly do better. But all we get is boring, boring Bruehl in yet another of his trademark roles as the talented and sensitive, yet repressed nerd. Vogel plays the role of an intellectual man's version of a working class hangdog/hedonist, probably a reference to the re-emerging proletariat in Germany, one of the few things to enjoy in this movie. Character development is implausible, sometimes ridiculous, getting worse with the rest of the movie, which, at the start at least visually interesting, settles down into a concatenation of stereotypes and clichés which we by now came to expect from what is called "new German cinema". Avoid it.
Anything and a laugh for bonus
Still on the middle of watching it and having a great time, I find difficult to read negative comments on such a beautiful work, but I know people have their perspective, expectation and taste, not to mention their moments. Perhaps if I had seen this tomorrow last or next year, my assessment of it would have been different. Today I'm very much enjoying the pace, the dialogs, the interaction. So I'll close my laptop and sink fully into it. Well almost I'm told there isn't enough lines to finish! quantity over quality! I have not been laughing for the last five minutes which shows this film does not rely on laugh only as I'm still enjoying it!