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ACTOR
Jodie FosterLou HallReena SandsJosephine
DIRECTOR
Michèle Ohayon
SYNOPSICS
It Was a Wonderful Life (1993) is a English movie. Michèle Ohayon has directed this movie. Jodie Foster,Lou Hall,Reena Sands,Josephine are the starring of this movie. It was released in 1993. It Was a Wonderful Life (1993) is considered one of the best Documentary movie in India and around the world.
Feature-length documentary deals with homeless women, once secure in their middle-class status, who through divorce, misfortune, or circumstances were reduced to living on the street.
Same Actors
Same Director
It Was a Wonderful Life (1993) Reviews
Very powerful
An excellent documentary; this struck a chord with me. I live in the most expensive city in my state, an affluent left-leaning college town. There's much more education than jobs in the area (varied things, like an abundance of culture or the quality of the local schools, keep some in the area), and the homeless population is quite noticeable for a town of 50,000. I - and many people I know - are college-educated folks with reasonable-to-occasionally impressive resumes, who are working retail or waiting tables. We're a paycheck or an illness or an accident away from being where the folks in this documentary are. IT WAS A WONDERFUL LIFE is remarkably well-made, with subtle cinematography that serves its' subjects well - no great art statements made visually, but this documentary doesn't need it. Instead, it unobtrusively gives the women who appear onscreen space to tell their stories - how they all ended up homeless. These women are educated, have experienced professional success and some semblance of security at some point, and are mostly descended from middle-class (or better) backgrounds. Their determination and self-awareness is striking, though - given the depressing familiarity of an ever-more-diverse homeless population - I wasn't as shocked as I felt that I should be. Certain issues - depression, the common refuge of chemical dependance, the ever-present threats of violence - could've been dealt with in greater depth. Several themes are well-explored here however - if a viewer wasn't aware already that education, self-awareness, a ferocious work ethic and/or psychological toughness don't mean jack in and of themselves, it will be abundantly clear by the films' end. Morally, any individual (single, married, or otherwise) should - by this late date - know that depending on anyone else for security and survival is precarious even with a fat bank account, and potentially suicidal without. One woman (a law student) sums it all up effectively: "Never trust anyone. Especially a lawyer." This film visualizes all of the above in horrifying detail. Equally disturbing is the revelation (from several of these women) that they never thought about homelessness until they became homeless. This info is rather casually offered; they don't exclude themselves from any of social apathy that is occasionally on display in IT WAS A WONDERFUL LIFE. They had it good until a bad investment, a lost lawsuit or a husband walked out (stiffing them for child support - the grueling fallout of this is shown in great, horrifying detail); one never views this as a problem deserving of thought and action until one has to move into their car, and then the true magnitude of how few safety nets exist (or function properly) becomes abundantly clear. The women in this documentary impressed me - being homeless (or simply being poor) is an art, and it's a lot of work - this too becomes quite clear here. If there's an ulterior agenda, it should be noted that the women here defy most stereotypes of homelessness, personalizing the issue in terms that any cul-de-sac dweller would easily comprehend. These aren't the kind of cartoon down-and-outers easily written off by politicos, 'pull-yourself-up-by-your-bootstraps' types, suburbanites, or any of us with an education and a resume (and the expectation of upward mobility and security) - the faces seen here look like people you know and love. Which - in some ways - is the lone serious oversight here - the issue could've been brought home (in wrenching fashion) has the director included some individuals who were at another level of 'lost' - addicted, or mentally ill, and completely abandoned by the system (or who had dealt with bureaucracies and agencies, only to lose hope in absolute frustration). While such a film would be tough to watch, it would also be essential in understanding a problem that shouldn't exist. As it is, IT WAS A WONDERFUL LIFE is a very powerful, moving document - gripping and informative - and I recommend it strongly.
Absolutely haunting
I saw this film on cable about ten years ago and have been haunted by it ever since. I had tried to get a copy of this movie for years but very few existed and the ones that were for sale on Ebay usually went upwards of 100 dollars thanks to fervent Jodie Foster fans trying to complete their collections. A few months ago, the DVD copy was released and is now widely available at a reasonable price. I have been passing my copy around for all my friends to see and I highly recommend this movie to anyone with a social conscience; it is absolutely haunting. Although it is a sad topic, this movie does not bring you down. You find yourself drawn into the lives of these women and fascinated by their innovative ways of survival. Also, you must stick around for the closing credits to get the final story on one of the subjects. This film goes beyond the realm of "movies as entertainment". "It Was A Wonderful Life" is a movie that could impact your perceptions and the way you live your life.
mandatory viewing for ex-husbands
mandatory viewing for soon-to-be-ex-husbands before any divorce settlements are proposed. the documentary chronicles six women, most divorced, and all homeless, in los angeles, california. ruthless ex-husbands and their divorce counsel have contributed to some of the worst circumstances. it is a serious and slowly-paced film. there are a few especially memorable moments: * Ohayon (the filmmaker) confronts one of the deadbeat dads, a music industry jet-setter, via phone regarding his childcare/alimony payments, which he claims to make regularly. then Ohayon takes us to a district attorney type who pulls the same man's file and reveals he is completely AWOL with regard to paying child support. * there's also an amazing interview with a businesswoman and her three daughters, living out of a motel. the mother admits she is quite uncomfortable about disclosing her suitcase lifestyle to colleagues, but her three daughters sharing the motel room display fierce pride -- proud of their mom for supporting them, proud to tell friends how they live, and proud of their ability to cope with the hardship. * the bureaucratic abyss facing those who dare apply for welfare and government housing subsidies is nicely conveyed via overheard phone calls and failure to deliver, in the case of one woman who finally secures an apartment on assurance of a 'section 8' subsidy. the narration is read by jodie foster, original guitar and piano soundtrack by melissa etheridge, both understated and do not upstage the subject in any way.
Thought provoking and moving
This is an incredibly moving documentary, with a sober and terse narration. The fate of these women, at times pugnacious determined, at times hopeless and despondent, put homelessness in a new light for me, and left me wondering how it could be, in such a wealthy country, that women and mothers could be left with such a lack of protection and support. The memory of these 6 women will stay with you a long time after you've seen that documentary, especially if you watch it until the very end of the credits.
heartbreaking
This film has haunted me since I saw it. The film explores the everyday realities of the working poor (and even the middle and upper middle class) who have slipped through the cracks and ended up the hidden homeless. It shows in brutal detail the reality of life in a car, where even showers (let alone work) are a difficult luxury to obtain. It was made in 1992 (during a recession), so I only wish there was an update since the real estate boom in California--and how it affected the women in this population. The film also painstakingly depicts the flimsiness of bureaucratic programs/solutions to aid these women and those like them, as well as the ways that government policies actively antagonize these situations . Especially painful is the part on Section 8 housing subsidies--when one of the women calls to inquire and finds that not only are there no applications being accepted, but there is also a waiting list of 3+ years for those who have already applied. And the problem of finding a landlord who will accept the vouchers. Perhaps the most disturbing aspect of the movie is that it did not seem that the filmmakers either 1) helped the women along, even though they were so obviously in need or 2) paid them for their participation. These are women who seem to be only a few hundred dollars or a security deposit away. And yet they are taking the time to participate in the film. I would assume that Jodie Foster and Melissa Etheridge were paid for their participation. It is not stated, but the summations of the women's situations at the end of the film seems to strongly suggest that they were left on their own again. Also, definitely get to the end of the credits for more information. Though it was made in 1992, I just wish there was some way I could reach out and help these women. I highly recommend this film. It just stays with you.