Niwemang (2006) Reviews

• A dark comedy on the road to Iraqi Kurdistan

  saareman2006-09-17

  Reviewed at its 3rd & final screening Sat. Sept 16, 2006 at the Varsity 3 cinema during the Toronto International Film Festival. The film had world premiered earlier during the fest on Sept 9 at the Isabel Bader Theatre. This road movie with touches of dark comedy was a pleasure to see and touched the heart many times. It is story of a "Kurdish Mozart" (as imagined by the director - a fictional living legend Kurdish composer/musician with a whole orchestra of sons and daughters) and his struggle to get to a major music festival in Iraqi Kurdistan from Irani Kurdistan. It was fascinating and life-affirming. Even as the film had several moments of desperation and despair on the way the whole thing was lightened by touches like a comedic bus driver, various moments of interaction between the father and his sometimes reluctant or rebellious sons and the resilience of a young woman named Papooli (Butterfly) who was born with the name Niwe mung (Half Moon). Director Bahman Ghobadi was an enthusiastic show-up for the 3rd screening and gave many interesting tidbits during his Q&A such as info on the banning of female singing and musicians in present day Iran for the past 28 years, that his self-censorship on the film did not help it to get past Irani censors so that he may re-cut the film for the later general international release now anyway (restoring more scenes of female singing & playing) and that the whole 7 months of seeking for travel permits subplot in this film was a nod to the struggles he had to get his earlier "Turtles Can Fly" film made. This film was 1 of 7 in TIFF 2006's Mozart - A New Crowned Hope series which is a sneak peek at the series before it screens at the Vienna Mozart Year Festival in December 2006. Highly recommended and a worthy successor to the director's previous films.

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• Persevere: this is a wonderful film

  Robert_Woodward2008-03-26

  Half Moon begins amidst a frenetic atmosphere as a pair of fighting cocks scrap in a room packed full of jostling, shouting men. But from this boisterous opening there emerges a slow-paced road movie in which a group of Kurdish musicians undertake a bus journey to perform at a concert in Iraqi Kurdistan. Their trek takes us through some stunningly bleak scenery, from dull-brown dusty plains to snow-capped peaks and towns clinging to mountainsides. The most striking scene in the film features a town full of hundreds of exiled female singers, who line the street and tops of buildings as the travelling musicians retrieve a fellow performer for the concert. The absurdity of this acts as a clever commentary on the banning of female musicians in Islamic Iran and there are countless further insights into the lives of Kurdish people throughout Half Moon. The nerve-wracking confrontations with border guards testify to the great difficulties faced by the Kurds in being divided across four countries and treated frequently as second-class citizens. Somewhat strangely for a film about travelling musicians the film does not afford a great deal of attention to the music of the people whom it portrays, but there are nevertheless some very interesting sounds to be heard here. Engaging with the storyline can be difficult at times due the contrasting moods and a tendency to jump back and forth in time. Although not often laugh-out-loud in nature, there are many moments of warm-hearted humour during the film. On the other hand, dark omens abound throughout and create a growing sense of foreboding. The combination of these elements seems incongruous on occasion but they are drawn together in a moving climax. I found parts of the film falling into place long after I left my seat in the cinema and I regard that as a rare and valuable thing.

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• Beautiful film

  paulmartin-22007-08-05

  Half Moon is a road movie with a difference. An elderly man Moma (portrayed with great range and nuance by Ismail Ghaffari), a celebrity singer in his native Iraqi Kurdistan, sets out by bus from Iran with an entourage of his musician sons to his homeland to perform in a large public concert. With seven months of rehearsals, official permits and visas carefully arranged, nothing could go wrong, right? Well, this is border country between bitter enemies Iran, Iraq and the highly marginalised Kurds who are basically a dispossessed people without a country and held in contempt by both countries as well as Turkey. This film illustrates what can go wrong. While beautifully filmed in some beautifully stark landscapes, the real richness of Half Moon - like most Iranian films screened here - is in the simplicity of the story and the attention to detail to the struggles of seemingly mundane activities. The cultural aspects are especially fascinating. The authority of Moma as the family patriarch is evident; his middle aged sons all hold him in high esteem and cower before him. Not unexpectedly,as Iran does not allow women to sing in public, there are specific issues with involving a woman in such a cultural endeavour. The family and social dynamics depicted breathe life into this little gem of a film. Music is a universal language that binds people, so when contempt is shown by the Iranian border guards, it has a powerful effect on the audience. My in-laws are similarly musicians of a dispossessed people (Pontians, Greek orthodox who once lived in Turkey), so I could relate well to the scenario in the film. It was interesting to see the advancement of technologies such as cell phones and wireless internet laptops creeping into these otherwise isolated communities. The film is full of beautifully understated performances and naturalistic humour and drama. I highly recommend it, and like most Iranian films I have seen, is something I would take my six year old son to see (were it to get a theatrical release).

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• A touch of of mystery and madness

  lyrxsf2009-06-02

  This movie is poetry in action. It has elements of the humorous, dark, ridiculous, sublime, mysterious, evocative all rolled in. The actual events shown somehow faded from the overall sense of poetic experience at the end of the movie. The music ranges from tragic to enchanting and it's a primary component of the movie. It is shown to have powers to bring back the dead. The landscapes shown are also stunning and stark. Its almost like the natural environment is designed for expression of grief – which reflects the political situation in the region. The final product is powerful. I would like to watch more from this Director – he definitely has a keen eye for the subtle. He has intelligently showcased optimism for life with its incumbent struggles and sometimes futility.

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• Slow but enjoyable

  LazySod2007-04-04

  Also known as Half Moon this film is a road movie in which a number of Kurdish musicians living in Iran plan to travel to Iraqi-Kurdistan to give a concert. It starts with gathering the players of the band in a small town in Iran and then travels on by bus through the battered lands. As expected from a road movie a number of things happens to the travelers and there is a nice balance between some mild comedy and some drama. Nothing of what happens is entirely out of touch and with that the film (or better said, the bus) rolls on with the gentle speed of a backwater river. All in all, a pleasant but slow way to spend an evening, watching the adventures of a band of elder musicians on their way through life. 7 out of 10 faithful musicians

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