SYNOPSICS
NW (2016) is a movie. Saul Dibb has directed this movie. Nila Aalia,Ronke Adekoluejo,Nikki Amuka-Bird,Ashley Bannerman are the starring of this movie. It was released in 2016. NW (2016) is considered one of the best Drama movie in India and around the world.
Leah and Keisha grew up together on the run-down Caldwell estate. Years later Keisha has reinvented herself as Natalie, married to the handsome and wealthy Frank with two perfect children, a beautiful house and a career in law. Leah , married to Michel, but not sharing his desire to have babies, is still on the estate, where she is a prey for drug-addicted scammers. She feels alienated from her former best friend. She is unaware that Natalie is secretly unhappy, attending anonymous sex parties, and when Frank finds out Natalie bolts, finding herself in the company of another old school-mate Nathan, once a promising footballer, now a petty thief working for a drugs gang. At the same time Felix, a cheery wheeler-dealer, is stabbed to death after a row on a tube train and Natalie realizes that she knows who killed him. Coming to Leah's aid after the latter has had a domestic crisis Natalie realizes that, for all their differing life-styles, they are as close as they ever were and they ...
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NW (2016) Reviews
Kilburn and the High Roads
NW is an adaptation of Zadie Smith's novel of interlinked stories of people living in and around Kilburn. Leah (Phoebe Fox) is a white woman, happy with her partner but reluctant to become a mother. Natalie (Nikki Amuka-Bird) is a black woman who has worked her way to professional success as a barrister. She has got away from the tower blocks to a nice family home with a garden, garage and two kids with her husband who is also a barrister. She has even changed her name from Keisha to fit in more. Leah and Natalie are childhood friends but they seem to be drifting apart and not being honest about their emotions. Leah is seen to be too trusting and naive giving someone money who came up with a sad sob story for example. When she finds out she may be pregnant she thinks of terminating it. Natalie is desperately unhappy despite her success and reaching middle class aspirations. We see her decked out in African fashion but secretly she is active using sex apps to get involved in group sex with strangers. NW has two male characters who mingle through the lives of others. Nathan (Richie Campbell) is seen begging outside the tube station, he has gone through rough times and is an addict as well as a pimp. He was at school with Leah and Natalie and they fancied him then. He could do anything, was good at football and even at trials as a footballer with QPR. Felix (OT Fagbenle) is a happy go lucky wheeler and dealer. He has an eye for the ladies, an easy manner and maybe going somewhere in his life. An act of kindness in a tube train has rubbed a local thug the wrong way who targets him. You know there will be an air of tragedy underpinning the story. We see a gang of black thugs in the estate, their vile leader kicked Leah's dog to death and the police do not seem to touch him, then again no one seems to be calling the police in that estate. The film explores these people in adulthood where they have lost their cuteness and are out in the big bad world alone. Leah is happy where she is. Natalie is desperately unhappy even with what she has achieved and now her husband wants out. Maybe Leah and Natalie were smart enough to work harder to get out of their predicament in North West London unlike Nathan. The drama was nicely acted but I kind of felt it worked better for those who might be familiar with that part of London. I did wonder why no one called the police on that thug? Natalie lived in a posh house but it seemed she was still not too far from where she grew up rather than be out in the suburbs. Yet the film did raise interesting questions about identity, inequality and advancement, especially when Natalie talks to a senior black barrister.
Excellent
A great piece of absorbing drama demonstrating that things are not always as they seem below the surface. The film encompassed love - dissatisfaction - friendship - sex - hopelessness - tragedy and violence. I only watched it by pure accident as I had been viewing a recorded program on my TIVO box. When that program ended it defaulted back to BBC2. At that point it was 20 minutes into NW and I almost switched channels. However after only a few moments I realised that I was watching something special so I wound back TIVO to the start. The acting was superb with each character drawing you into his or her World. When we walk down the street we may see happy couples -unhappy couples - poor people - the destitute - people flaunting their wealth But in reality we know nothing about what is really going on in their daily lives. Of course others could look at you and me and think the same thing. After watching it I was left with a searching question - what really does make people feel happy?
A must see show
I just love!love this show. Waiting for more to come great acting great cast.
Stunning Drama
This was an absolutely stunning drama. I came to it without having read the novel or indeed having even seen a trailer or review. The stories of interlinked lives was compelling and very believable with much complexity and subtlety. The acting was absolutely first rate. It was edge of the seat stuff with great tension, fear and sadness as well as lighter happier moments. I very much believed in all the characters and the story dealt with some quick complex issues and multi-faceted characters. A drama to make you pause and think. I very much recommend it.
Better than the novel
I want to add my review of NW because I read Zadie Smith's novel a few years ago. I've just watched the film and enjoyed how it captures Smith's portraits of life in a working class area of North London. The film aptly condenses the book's events and highlights further Smith's comments on life in modern Diversity Britain. The film made clearer that the tension in Leah and Natalie/Keisha's relationship now they are adults is mostly due to class difference. They were from the same background, the same estate, the same school, and still lived in the same area. Natalie managed to become a Oxbridge student, attend law school, become a barrister and marry a man from a wealthy family (the film doesn't show that her husband's parents were an African student and the daughter from a rich white family but the character is played by a man with a light complexion). Leah was troubled by how her friend had changed, and how she was perceived by Natalie's new friends, particularly at her dinner parties. She worked in social care, was married to a ambitious man, but still felt, comparing herself to Natalie, she had achieved nothing, and she was trying to figure out how to live her life. Zadie Smith's novels also reflect on race, and the fact that Natalie's fortunes rose, while Leah's didn't, and her (white) family was also still living in council housing, added more tension to their relationship. Leah was by no means racist, but both Leah and Natalie remembered their growing up together and fancying the same boys at school. Natalie feels guilty that she was now socially above her school friends and people she had known all her life. Shar's comment about her being up herself and a coconut- black on the outside and white on the inside- is included in the opening scene of the film. The film elaborates further on how Natalie, at the start of her professional career, is advised to tone herself down so she won't be threatening to white judges and white barristers. One of her older white colleagues squeezes her breasts and apparently she feels helpless to complain. In the book and the movie all of Leah and Natalie's school friends became criminals, drug addicts, or both. In the book Natalie's mother lost all the money the family had because she gave it to a project building churches in Africa that turned out to be a scam. The movie made me realize how much both Natalie and Leah were anxious and felt guilty about trying to rise above the people they grew up with. I think Leah didn't want children out of fear she would become like the people around her - the movie suggested that Natalie emotionally neglected her children sometimes, and left them in care of the nanny. The film made me empathize more with Nathan, as it makes him more sympathetic than the way he is portrayed in the novel (the film cut a long sequence where he visits a female friend in Soho before he travels back and is killed on his way home). He struggles to improve his life and tries to help his troubled father, but ultimately he falls victim to a local thug (Nathan is his accomplice). I appreciated the portraits of strong and kind black men: both Leah and Natalie have partners who care for their families and work hard to provide for them and protect them. Nathan's killing is a memento mori for Leah and Natalie, and by informing the police they rise above the violence that was part of their background growing up. Nathan's killing also shows how vulnerable life is for them and the people they live with: Natalie cries when she sees how the little boy she passes in the street is already used to seeing murder sites in their neighborhood. The film's ending is much more powerful than the book's: it eliminates part of the encounter between Natalie and Nathan I found hard to believe. I still don't understand Natalie's attraction to internet sex sites and sex with strangers. Perhaps she felt that her new life and new identity was so unreal she had to mix with people like the ones she grew up up to atone for it, or to feel more like she did when she was growing up in an area surrounded by drug use and constant danger. I appreciate how the film doesn't capitalize on her sex addiction for sensationalism. It's a moving account of individuals who are stuck between bettering themselves and allowing themselves to become resigned to their difficult environment and backgrounds.