Please Give (2010) Reviews

• A solid character drama

  napierslogs2010-05-19

  "Please Give" is an independent, character drama. What I loved about this film was the interesting array of characters that it presented. The characters that were on display for us to watch were all well written, fully-developed, interesting and funny as they each struggled with their moral dilemmas. I found myself being able to relate to all of them in one way or another. The writer also leaves enough to your imagination so you can decide how much these characters evolved or learned over the course of the film. As you think about them, you find yourself applying these lessons to your own life. The lack of plot leaves you wanting more because the best movies are usually able to deliver both plot and great characters. Although this is not one of the top echelon of movies, the compelling characters makes this better than most films you'll be able to find today.

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• Subtle and Strong

  davdecrane2010-05-13

  A strong ensemble piece anchored by Catherine Keener, the movie is a funny and plausible reading of the neuroses of a functional, likable but in-pain group of working middle class New Yorkers. What's most positive and enjoyable about the film is the desire of its characters to deal with their problems even when they're not aware they're doing it. But a natural striving to consciousness takes hold because they're all just open enough to admit they don't have all the answers. Watching them on a path that ineluctably carries them to self-awareness, and then each other, is one of the great movie pleasures of this year.

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• Ghosts of Furniture Past

  ferguson-62010-06-06

  Greetings again from the darkness. If not for a friend's recommendation, I probably would have avoided this one on the basis of writer/director Nicole Holofcener's last film, Friends with Money. I found that to be a miserable film filled with miserable people. This one, on the other hand, is a wonderful film filled with miserable people! OK, that is a slight simplification, but it is an extremely well written story that showcases the imperfections of people, social situations and society as a whole. Sometimes it seems the harder we try, the worse things turn out. Such is the life of Catherine Keener's character. She and her husband (Oliver Platt) run a furniture resale shop. She carries this enormous burden around because they stock the store by buying cheap from grandchildren stuck with death's aftermath ... and then reselling to arrogant metrosexual types who live for kitsch and cool. Keener spends her time trying to scrape off the guilt by doling out money and doggie bags to the homeless. There are many interesting characters in the film and this always adds to the fun. Rebecca Hall (uptight Vicky from Vicky Cristina Barcelona) plays the dutiful granddaughter taking care of her 90 plus year old monster granny played colorfully by Ann Morgan Guilbert. Many will remember Ms. Guilbert as Dick Van Dyke's neighbor in the early 60's sitcom. Her key job in the film is to get closer to dying so that Keener and Platt can take over her apartment and expand - the ultimate dream for a NYC resident. Hall's character is the budded flower - the one just waiting to bloom as soon as the rain hits (granny dies). The mean-spiritedness of the grandmother is matched only by the vile spewing from Amanda Peet, Hall's less than caring and trustworthy sister who is obsessed with tanning ... and the girl who "stole" her boyfriend. Peet's character often just says what she is thinking which adds dimension to most conversations! There are some terrific scenes and moments and characters in the film, but the best written scene is the dinner party. Keener and Platt invite Hall, Peet and Guilbert over in an guilt-easing attempt to be civil while waiting for Granny to kick the bucket. The scene takes on an entirely new life when Keener/Platt's daughter makes an appearance. Sarah Steele plays Abby as a smart, insightful teenager. Oh, and she is also mad at the world and bitter about her complexion and slightly pudgy build (which makes finding the right jeans a quest). The whole scene is one uncomfortable statement or moment after another. Beautiful to watch. I could go on and on about the intricacies of the characters and their relationships with each other and outsiders, but what matters is that the film is well written and well executed. It is not some sappy, save the world rom-com, but rather a character study of what goes on in real life and in real moments. Plenty of humor, but also plenty of truth. Amazing how often those two go hand in hand.

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• Please Take

  jdesando2010-06-08

  I've heard all the clichés about New York, and I have a daughter who owns an apartment in Hell's Kitchen, so I know what I'm writing about: If you want a superior cinematic exploration of the contradictions in one of the world's great cities, then see Please Give. Upper middle class couple Kate (Catherine Keener) and Alex (Oliver Platt) own a shop that sells mid-20th century furniture and kitschy items at prices non-Manhattanites would consider high. As dramatically interesting is their bid to purchase an adjacent apartment as soon as the elderly grandmother dies. The death watch is the essence of the theme about shameless New Yorkers' acquisitiveness, for which, when it comes to expanding one's own apartment, anything goes. It's especially poignant to watch the liberal, goodhearted Kate give $20 bills to the homeless along the street, volunteer for work that makes her cry, give a valuable vase to a former customer she has taken advantage of, and yet wait for grandma next door to croak. But that's where writer/director Nicole Holofcener gets it right—New York is full of life's ironic contradictions: Do good and bad in equal measure, feel bad about the bad, and go on living in one of the most glamorous cities ever crafted for the appetitive and the kind hearted. Holofcener treats the issues, from teen age angst to adult infidelity, with a dramatic restraint that allows the scenes to breathe lightly when a teenager berates her mom in public or a husband cheats on his beloved wife. Keener is a delight with her nuanced, exemplary life, and Amanda Peet as Mary, the seductive granddaughter of the aging neighbor, is spot on in her self-centered charm. The scene in the elevator with Alex, Kate, and Mary is as uncomfortable as any director could hope. It's all in a delightful, deconstructed New York minute, or so it seems to a former hyper Easterner now laid-back Mid-Westerner.

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• Small "Crash"

  Blacklumix2010-05-09

  If you view people as case studies in arrested development, then everyone has an issue, and everyone has a story. It's how each deals with his or her issue that makes things interesting in life. And when those issues interrelate to family dynamics, things can get down right convoluted, both as tragic and comic. "Please Give" is such a vehicle. Everyone's issue is not only personal but becomes a family matter at some level. And in the end there is some truth to the concept that blood is thicker than water. Like the movie "Crash" we see how seemingly random personal issues bounce off of the others in our lives, how we react to the consequences given our relative family dynamics, and how we may move on. In the center of this mini-maelstrom is Kate, whose issue of guilt appears to be the nucleus of all matters. Everything seems to spread out from there, and like a galaxy in the distant sky, things coalesce or spin off into directions brilliantly. As usual, whoever makes up the trailer for this tidy package misdirects us completely, which is why I hate trailers.....

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