SYNOPSICS
Quest for Love (1971) is a English movie. Ralph Thomas has directed this movie. Joan Collins,Tom Bell,Denholm Elliott,Laurence Naismith are the starring of this movie. It was released in 1971. Quest for Love (1971) is considered one of the best Drama,Mystery,Romance,Sci-Fi movie in India and around the world.
After a scientific experiment goes horribly wrong during a demonstration, a scientist finds himself trapped in an alternative reality that bears some similarities to our own, but also has some striking differences. In this other reality, World War II had never occurred, mankind had not yet travelled into space, and Mt. Everest had not yet been conquered, just to name a few things. Also in this other reality, he is no longer a scientist, but rather a well-known author. He also finds that he is married to a beautiful woman with whom he instantly falls in love, but for whom his alternate self never cared. He has some difficulty convincing anyone that he is not actually who they think he is. With the help of a physics professor who believes his story, he finally manages to convince his "wife" that he is not the man she knew before. After a personal tragedy in this alternative world, he finds himself back in his own world and desperately trying to locate the woman with whom he fell in love...
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Quest for Love (1971) Reviews
It's Easy to Fall in Love, isn't it?
I first saw this over twenty years ago and it stayed in my mind ever since; they never seemed to play this film on TV in my area and a VHS tape was difficult to find. I finally got one on E-Bay a year ago. I've always been a science fiction fan and my favorite sub-genre was parallel worlds. The original writer (Wyndham) and screenwriters got all the basics correct - certain events in the past transpired differently on this parallel Earth, resulting in a very similar, yet strikingly different world. But what caught me off guard was the romance attached to the story; I don't know, maybe the British storytellers just know how to do this sort of stuff better, but the tale taps into the soul of anyone with just a bit of the romantic in them. I never got that sense of romance, in such a strong dose, in any other film; the similar "Somewhere in Time" with Chris Reeve comes to mind, but it's not even a contest. When Joan Collins first walks into the room, I don't think you even need to be a heterosexual male - you are just swept away on the spot. Tom Bell is also very good as the hero; he sort of stumbles along on this fantastic journey he's been flung into and he soon embraces the entire cosmic appeal of what fate has given to him - a rare gift, as it turns out.
A favorite semi-guilty pleasure
The genre of SF romances is pretty slim, and well done ones even slimmer still. The only two that leap immediately to mind are "Quest For Love" and "Late For Dinner". They both rank among my favorite films. For the romantically inclined, both are also worth at least two hankies (one reason I never watch either with anyone other than my wife). Joan Collins looks superb (as usual) and gives an excellent, understated performance (hardly usual!) Rather than her typical shrew or strumpet (I'm trying hard to avoid adjectives that would violate the guidelines), she is a genuinely warm and sympathetic character. Aside from the voodoo that transports the protagonist into a parallel universe, the SF aspects are well constructed and don't overwhelm what is, at its core, a touching love story. The parallel universe plot is a much more effective metaphor in this case than the typical time travel gimmick common to most "what if" films such as this. The pacing could be better and the script could have benefitted from one more revision, but it's still quite satisfying overall. P.S. Apparently, like "Late For Dinner", "Quest For Love" is currently out of print on home video. I therefore feel fortunate to have both (QFL on Beta and LFD on VHS), so there are real official copies in existence which a diligent search might turn up.
A modest but entertaining romance set in a parallel world.
'Quest For Love' is an interesting oddity - a romance set in a parallel world. I haven't read the Wyndham story it's based on so I don't know how faithful it is, but it's an entertaining little movie with some nice performances. Tom Bell plays a physicist who suddenly finds himself in an alternate England after a scientific experiment. He learns that WW2 never happened, man never landed on the moon,etc. but the differences in this other England are never explored and mean little to plot. The focus is on Bell's relationship with Joan Collins. In his own world Bell is single and a scientist, in this other world he is a successful writer and married to Collins who despises him. Bell immediately falls in love with his "wife" and tries to convince her that he isn't who she thinks he is. Both Bell and Collins give good performances, and Collins looks absolutely lovely. Denholm Elliott appears in both worlds, one as his friend, in the other he loathes him. I assume the budget of this movie was modest. There are no special effects and it's almost like an episode of TV fantasy anthology. Even so I enjoyed it for what it was. If you want to watch a slightly earlier British movie with a similar premise try and see 'Journey To The Far Side Of The Sun' a.k.a. 'Doppelganger'. It however isn't a romance and is much bleaker. It's the stronger of the two movies but 'Quest For Love' is still worth watching, especially if you're a romantic.
Fascinating
I caught this on a local movie channel thinking it would be pretty hokey, but I found myself completely captivated to this fascinating science fiction romance. Joan Collins gives an unexpectedly delicate performance devoid of her usually campy mannerisms, and competent actors like Denholm Elliott appear in supporting roles. Although the ending does seem a bit abrupt, it's not bad enough to leave a negative impression.
Counterfactual history and unanswered questions
To my considerable annoyance, every time this movie has been shown on TV I haven't had my VCR ready to record. I've probably seen it about three or four times, on the proverbial rainy afternoons when little-regarded films are broadcast. It's been described by other IMDb reviewers as a sci-fi love story, and it certainly is that. But it's also a rare foray for a mainstream movie into counterfactual history. (In this respect it resembles novels such as Kingsley Amis's "The Alteration", Keith Roberts' "Pavane" and Robert Harris's "Fatherland" more than it resembles other movies.) Colin Bell, a physicist, finds himself in a parallel version of our world after an experiment that goes wrong. The Second World War has not happened, and in all kinds of subtle and intriguing ways society is less advanced. The course of his own life has been drastically different as well: he is a playwright and novelist, not a physicist; he attended Oxford (arts and humanities-based) not Cambridge (science-based); his best friend (played by Denholm Elliot) has not lost his arm in WW2; most significantly, while single in OUR world, he discovers that he is, albeit unfaithfully, married in this one. I'll concede that the conclusion of the movie IS rushed, but the rest of it is so superbly executed that I'm prepared to overlook this. Of course not all of the implications of this bizarre scenario are investigated; how could they be in a 90-minute movie? I'd agree with the other IMDb reviewer, who remarked that OUR world is limned far less vividly than its doppelganger. But this is surely as it should be; after all, we KNOW our world. The unanswered question that has nagged me every time I have seen the movie is: Where is the other Colin Trafford? Surely the arrogant, womanising drunk isn't on the loose in our world, wreaking havoc in the the domain of research physics? (I think we're meant to assume that he's temporarily inhabiting his double's comatose body in hospital.) What is highly ingenious, and could pass unnoticed, such is the subtlety of its handling, is the way in which, although we never actually see him, we infer from people's reactions exactly what sort of person the other Colin Trafford was. (I'm reminded of the scene in the original "Nutty Professor" in which Buddy Love is introduced; we see him, at first, entirely in terms of other people's reactions.) We still seem to be too near to the 60s and 70s (psychologically if not chronologically) for people to overlook the now-quaint fashions. Come on, though! Even the 70s are thirty years ago now. We're not surprised to see people in Edwardian times, or the 1930s, dressed in radically different clothes. Why should it strike as odd (and funny) that people more than a generation ago inhabited a universe more different from ours than the one that physicist Colin Trafford finds himself in? Every time I read someone dismiss a movie because the fashions are dated I want to scream! Such a lack of historical perspective means that there's a very real danger that anyone much under 40 or so will not be able to observe the subtle, but very real, contrast between the "real" world in "Quest For Love", and its slightly more old-fashioned twin, and will thus miss out on an important layer of the movie's meaning.