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Touching the Void (2003)

Touching the Void (2003)

GENRESDocumentary,Adventure,Drama,Sport
LANGEnglish
ACTOR
Simon YatesJoe SimpsonBrendan MackeyNicholas Aaron
DIRECTOR
Kevin Macdonald

SYNOPSICS

Touching the Void (2003) is a English movie. Kevin Macdonald has directed this movie. Simon Yates,Joe Simpson,Brendan Mackey,Nicholas Aaron are the starring of this movie. It was released in 2003. Touching the Void (2003) is considered one of the best Documentary,Adventure,Drama,Sport movie in India and around the world.

In 1985 two friends, Joe Simpson and Simon Yates, set out to climb Siula Grande in Peru via the West Face, a hitherto unaccomplished feat by any climber. After a tough ascent they succeed but on the descent they run into significant problems. Soon they are both in dire danger and the chances of surviving are slim.

Touching the Void (2003) Reviews

  • Gripping, moving and totally amazing. An amazing story that never fails to grip and is only made stronger by the dramatic recreations fuelled by Simon & Joe's recollections.

    bob the moo2004-01-18

    In the mid-80's two young climbers attempted to reach the summit of Siula Grande in Peru - a feat that had previously been attempted but never achieved. With an extra man looking after base camp, Simon and Joe set off to scale the mount in one long push over several days. The peak is reached, however on the descent Joe falls and breaks his leg. Despite what it means, the two continue with Simon letting Joe out on a rope for 300 feet, then descending to join him and so on. However when Joe goes out over an overhang with no way of climbing back up, Simon makes the decision to cut the rope. Joe falls into a crevice and Simon, assuming him dead, continues back down. Joe however survives the fall and was lucky to hit a ledge in the crevice. This is the story of how he got back down. Yet another reason to lament the closing of Film Four's doors, this film is the cinematic equivalent of sitting listening to someone tell you an amazing story in their own words. The film is acted out in dramatised scenes but it is Joe's and Simon's words over the top that really will keep you hanging on. The dramatised scenes though, are still wonderful, it is very easy to forget that this was not somehow filmed at the time, not only do they look very, very real but they also look spectacular; when Joe talks about the imposing crevice he was in, the pictures on screen did much better at translating that into visuals than my non-mountaineering imagination could have done. The two actors in the roles of Joe and Simon do a great job; like I said, it is very easy to forget they are actors or that this is a replay for the camera. However the real people are more interesting and it is they that drive the film. To hear Joe talk about what he did and felt puts so much more bone on the story that any Hollywood version could have managed. He is a great guy and I can only imagine what he went through. Simon on the other hand is more guarded. He never really goes below the facts, whereas I know he has issues underneath as he apparently was not as calm as he is on camera during the making of the film. The film ends with some captions - one of which being that Simon came under great criticism for cutting the rope from other climbers. However the talking heads bit never even touches the surface of what Simon had to go through after they all got home - in a way that would have been just as interesting a part of the film as what Joe went through. As the story unfolds it is impossible not to sit shaking your head in amazement. At the start I was like everyone else 'why would you do this stuff for fun' etc, and I still think that, but the story is so gripping that it is impossible to think of anything else. The running time is generous and allows Simon to tell his story properly, it is amazing and the sense of impossible odds and the sheer pain involved is brought to the audience very well - even with a handful of people in the audience gasps and 'ah's' were very audible. Overall this film is more dramatic than any Hollywood drama I have seen in a long time. It is not without flaw but it is difficult to sit and just watch it - I was enthralled by it, a true dramatic human story that never let me get bored or distracted. By the end, Simon has put forward his many emotions so well that I was very moved. The only think that would have made this film better would have been a bit more of searching inside himself by Joe in the final 15 minutes, in my heart I doubt if I could ever forgive myself and I wonder how he did or if he did.

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  • An amazing story - has to be seen to be believed

    The_Void2004-10-27

    Touching the Void tells the story of Simon and Joe; two mountain climbers whose trip to Siula Grande in the Peruvian Andes ended in tragedy. I had never heard of either one of these men or their story before watching this film, but in the mountaineering world, they are the stuff of legend. I don't doubt that I'm not the only one to never have heard of them, so all in all, I think that this is a story that needs to be told. The story itself has all the ingredients of a successful human drama - it's gripping, exciting, realistic, continually intriguing, and overall it makes for a nice film. Carrying on with the recent trend that was kicked off with Bowling for Columbine, Touching the Void is filmed in a documentary style. This is definitely to the film's credit; the documentary style allows the auteur to tell a story and not have to worry about dramatics and so fourth. The documentary style is also detached in nature, so it allows the audience to make up their own mind about the events that they see on screen, and with a story as provocative as this one; that's what you want. The film is told from the men's points of view as well as seeing actors portray what happened on screen, and this allows the story to be effectively shown with an insight into their thoughts as well, which works a treat in my opinion. The story is one of intense courage and decision making in a situation where every decision is a bad one. The major provocative point comes from the decision that Simon makes when he chooses to cut his partner (Joe) off, causing him to fall down a ravine. In my opinion, Simon did the right thing. The only other choice was to not cut him off, and get pulled down himself; so it's Simon and Joe, or just Joe. I don't even think there's a debate. What did get me about Simon's character, however, was his attitude towards his partner's injury. He's just seen him fall down and break his leg, and his first thought is that if he falls off the cliff, he'll be able to go down alone, which would be much easier than hoisting Joe down with him. I don't know about you, but that's not the sort of partner I would want on a high-risk mountaineering trip. Not only that; but he didn't even check on the well being of his friend in the morning after the fall; I realize that his chances of survival are unlikely, but I would expect him to still check because you never know. And then, just to top it off, on his way down the mountain; he's debating with himself whether or not to tell what really happened or just make something up! And just for a final shock; he didn't make a better story up! I found his lack of caring to be rather shocking. The main story of the film, however, is not Simon's but Joe's; which is an absolutely amazing story of human courage. This man was not only extremely frightened as he was in the middle of nowhere on his own with no way to get help, but he also had to toil with a broken leg and extreme dehydration. The agony he must have been in is unimaginable, and yet he somehow managed to drag himself all the way down the mountain to safety. The man deserves a medal. The film allows the audience to stay with him throughout his ordeal; we really feel his pain and it makes the images on screen undoubtedly powerful. Had the film have been filmed in dramatics, without the documentary, it wouldn't have managed the same effect; and that is testament to the good decision to film it as a documentary. Despite the nature of the story, it also manages to be amusing at times, with Joe telling the audiences the thoughts of a doomed man, and a very surreal sequence involving Boney M. This story shows human courage like no other film I've ever seen, and what's more; it's all true and it all feels very real as well - it's almost like you're watching the actual events. Overall, Touching the Void is an incredible cinematic experience. There isn't another film quite like this one and it really does have to be seen to be believed. Highly recommended viewing for all.

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  • Breathtaking Andean photography ... and a will to survive

    dkennedy32004-06-20

    Awe-inspiring work by director Kevin Macdonald takes us with a minimum of fuss to a corner of the Andes in Peru for this epic tale of endurance against the elements. After what appears to be a relatively rapid, routine conquering of a 22,000 foot peak, we are left contemplating what might be in store to fill out the rest of the film. Suffice to say we are told that eighty per cent of climbing accidents occur on the descent. Harrowing times in the extreme soon present themselves, with amazing camera work accompanied by stark human emotions as life-affecting decisions have to be made in the harshest of conditions. There are only three actors in this reconstruction of an actual climb made in the 1980s. The original climbers themselves personally add to the screenplay at appropriate moments, to what I believe is just the right extent for maximum effect. We are made to wonder what drives a couple of fit 25-year-olds to climb to such heights, in such conditions, with an insufficient gas supply, no oxygen, and no backup team. But that is sometimes the reckless nature of young people that age. The viewer is left in no uncertain mind about the might of nature versus the insignificance of human effort. This is reinforced in most spectacular fashion by the use of zoom photography, underlining the sheer size of the Andes mountains. What does make the difference, though, is the strength of the human will, particularly when it comes to a matter of very survival. In this case we are given to believe this is largely driven by the fear of dying alone, but I found myself trying to identify what other motives might have been present in such dire circumstances. Considering the semi-documentary nature of the film, and the conditions under which it was made, I cannot rate Touching the Void less than 9 out of 10. It had me on the edge of my seat until the final credits.

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  • Amazing: everyone must see this

    Anig-22004-01-18

    This film describes the true story of a climbing accident in South America in 1985, using dramatisation with voice-overs and interview excerpts from the three British men who were actually involved. It may sound boring, but I cannot stress this enough: this film is much more tense, and nail-bitingly gripping, than any Hollywood action movie - because you know that everything you're seeing and hearing really did happen to these guys. The story itself is incredible. It will redefine for you the capabilities of the human mind and body. There is action, sadness, hope, and even brilliant humour in places. Please go and see this film; you won't regret it.

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  • An Unusually Affecting, Hybrid Film of Mountaineering Peril

    lawprof2004-02-21

    A recent article on "Touching the Void" focused on the reactions of mountaineers to films about their often deadly avocation. Many commented that virtually no movie dealing with mountain climbing felt real to them. I suspect that Kevin MacDonald's gripping part re-enactment, part-documentary may be the rare exception that will capture the interest of amateur and professional mountaineers. (I haven't climbed since 1966 when I and two fellow Army officers set the record for summiting Seoul, Korea's Namsan from its almost inaccessible east face.) Simon, a very experienced climber, and Joe, a younger devotee, sought to be the first to reach the top of Peru's Siula Grande through a forbidding and unconquered approach. Before heading to a remote location to establish a base camp they picked up Richard, a traveler with no experience or interest in climbing but a hale-fellow-well-met willing to babysit the camp while the two adventurers climbed. Getting to the top of the summit via an often near-sheer face was daunting enough and the duo made it. The trip back was the disaster. As one commented, eighty percent of injuries and deaths occur on the way down. Joe took a fall sustaining a very serious leg injury causing limited mobility, intractable pain and major damage. Simon figured out a way for the two to continue their descent but Joe later went crashing over the side and hung helplessly swinging in the air, his dead weight immobilizing Simon. Arguably both would have perished if this condition continued. In what remains a roiling full-fledged controversy amongst the mountaineering fraternity, Simon believed he could only save his life by cutting the rope from which Joe, with whom he could not communicate, dangled. The rope cut, Simon made his way back to base camp sure that his companion was dead. Simon's descent was perilous but compared to the still living Joe's evolving ordeal it was a walk in the park. Over almost a week, Joe survived on no food, virtually no water and sheer guts and determination to live. His trip down the mountain to within range of the tent where his weak voice was heard by the about to decamp climber and assistant is a truly unique and compelling survivor story, one of the most dramatic ever brought to film. Both the real climbers and Richard are narrators whose story unfolds between re-enactments by non-speaking but truly athletic actors. The make-up crew did wonders here to capture the brutal battering each sustained, especially Joe, during the climb and descent. The photography is magnificent. Joe has always maintained that he too would have cut the rope had his position and Simon's been reversed but his open and repeated acceptance of Simon's desperate act has been rejected by many mountaineers. I was particularly fascinated by this issue since as a law professor I begin my Criminal Law course, as do very many colleagues, with the very issue of necessity as a justification for one person to save his life by sacrificing the lives of others (no mountains but two celebrated cases involving the sea, one English, the other American, provide very similar moral and legal dilemmas to Simon and Joe's excruciating situation). While no legal action ensued from the Peru near tragedy, the same issues are there and remain for viewers to think about and discuss. Both Joe and Simon continue to climb, Joe after six operations to his shattered leg. Their accomplishment in scaling Siula Grande has not to date been duplicated. That must give each extraordinary satisfaction. This film is almost in a class of its own and I suspect it will become a talking point for climbers. For today's audience, attention was rapt and sighs and gasps escaped involuntarily as the climbers, and Joe especially, encountered one near fatal obstacle after the other. 9/10.

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