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ACTOR
John WayneSheila BromleyFrank McGlynn Jr.Jim Farley
DIRECTOR
Robert N. Bradbury
SYNOPSICS
Westward Ho (1935) is a English movie. Robert N. Bradbury has directed this movie. John Wayne,Sheila Bromley,Frank McGlynn Jr.,Jim Farley are the starring of this movie. It was released in 1935. Westward Ho (1935) is considered one of the best Action,Drama,History,Romance,Western movie in India and around the world.
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Westward Ho (1935) Reviews
The Unmasked Lone Ranger
Westward Ho finds the Duke on the trail of as many outlaws as he can kill or capture in search of the gang that killed his parents and kidnapped his young brother. A prologue to the main film finds the young Wyatt boys on the trail with their parents while they were driving their cattle herd to market. The young Duke is thrown clear from the wagon and thought killed and the brother is taken by outlaw leader Jack Curtis. When the boy grows up to be John Wayne, he's got himself a mission. In a premise similar to the Lone Ranger, Wayne with official territorial permission organizes his own group of law enforcers called the Vigilantes. So they know each other in a fight with large outlaw bands, Wayne has them dress in black, but ride white horses. The get up isn't for style and Wayne instead of one lone Indian sidekick has forty or so men who have sustained similar family losses. Of course as things go he does eventually meet up with his grown up brother and the gang that kidnapped him. For what happens you have to watch Westward Ho. Hardly the best or the worst of Wayne's Poverty Row oaters. In fact Westward Ho has some nice production values because it is shot on location and not on the studio back lot. Unusual for a B western of the Thirties. Not of course to be missed by the many fans of the legendary Duke.
Early Republic Western worthy of notice.
Newborn Republic Pictures utilizes the solid directoral ability of Robert Bradbury, and the presence of John Wayne along with Yakima Canutt and his troupe of stuntriders to produce this strongly scripted film of 1860s vigilante efforts to rid the Far West of outlaw bands that were involved in widespread robbery and cattle rustling. Bradbury, whose skill with Westerns dates back to the early silent period, directs and edits with a solid awareness of suspense, building his typically short scenes with sparse and, at times, stilted dialogue and an eye for proper cast placement which makes excellent use of defined personalities such as Wayne, Frank McGlynn Jr., and Glenn Strange, and gives particular value to the hard-riding stunt performers, who are splendid throughout this well-made (and musical) adventure filmed in California's Owens Valley, at the base of the Sierra Nevada.
Brother vs brother as the Duke leads a gang of vigilantes.
Brother versus brother as the Duke leads a gang of white-horse-mounted vigilantes out to destroy every bad guy in the state. His parents murdered by a gang of cattle thieves, his brother taken and raised by the gang, John/the Duke sets out to locate the gang a decade after the event. Exciting action scenes which make up for stilted dialogue, especially from Mary MacLaren as John's Ma. As the row of good guys, black hats and black shirts on their white chargers, thunder across the screen, my thoughts hark back to the days of 17-inch black and white TV sets. In Australia this comes packaged on a cheap DVD with 'Flying Tigers' and 'Hell Town'. The DVD has excellent sound but generally below average picture quality!
Breathtaking!
SYNOPSIS: Loner organizes a vigilante group to hunt for his younger brother who was kidnapped by outlaws twelve years previously. NOTES: Dedicated to the Vigilantes... builders of the New Empire of the West... stern frontiersmen of the days of '49. Men who gave their lives to purge the new frontier of lawlessness. Republic's first film. Negative cost: a mere $37,000. However, that is largesse indeed compared to the sixteen Lone Star westerns, which were brought in at no more than $11,000 a-piece. More than three times the Lone Star budget here, and all that extra money is right up there on the screen. COMMENT: Despite some oddities (Wayne serenading the heroine with a dubbed basso profundo) and technical shortcomings (jerky continuity, tacky indoor sets, primitive sound recording), this is not only one of the best of Wayne's pre-superstar westerns, but a worthwhile addition to any permanent collection in its own right. The locations are truly breathtaking. Bradbury is a director (and Stout a photographer) who knows how to get both the dramatic and pictorial best out of them. The movie is full of sweeping images (the outlaw band, lined up across the frame, silhouetted vividly against sky and sand; the black-shirted singing riders, all mounted on white horses, encircling the renegades on a boulder-strewn mountainside) and no expense has been spared in staging the many action highlights, with lots of thrilling stuntwork, falls and running inserts. This is not a movie that saves all its action for the final reel either. In fact, if one has any complaint against the film, it's so full of action, there's little chance for the heroine. Never mind, Wayne acquits himself nobly, and there's an excellent performance from Frank McGlynn Jr as the outlaw brother. The villains, led by Curtis and Canutt are appropriately nasty. One critic has complained recently that the action scenes are undermined by the lack of background music. I didn't find this a problem. There is music in the film - under montages - plus no less than three songs (including the title number which is rendered no less than three times). By the humble standards of the "B" western, production values are outstanding.
John Wayne....and a cast of thousands!
When Republic Pictures was formed in 1935,Trem Carr's Lone Star western group was included along with star John Wayne. Thus began Wayne's turbulent relationship with the studio which lasted until 1951. The first thing that you will notice when watching "westward Ho!" for the first time is the large cast of extras particularly in the riding scenes (the veritable cast of thousands). Quite a feat for the newly formed "B" studio considering that the Great Depression was still ongoing. Anyway, the plot in that oft used good brother vs. bad brother theme. John an d Jim Wyatt are part of a wagon train that is ambushed by rustler Ballard (Jack Curtis)and his gang, which includes veteran stuntman/actor Yakima Canutt. The boys parents are killed and John is left for dead while brother Jim is "adopted" by Ballard. Fast forward a few years and John Wyatt has grown up to be John Wayne and Jim, Frank McGlynn Jr. Jim has become an outlaw within Ballard's gang. John meanwhile has organized a vigilante group known as "The Singing Riders" to track down all outlaw gangs as he searches for his lost brother. Along the way, John joins up with Lafe Gordon's (Jim Farley)cattle drive in the hopes of catching Ballard and Co. Well, as luck would have it, Gordon has a comely young daughter Mary (Sheila Mannors) with whom John strikes up a relationship. To complicate matters, Jim also joins Gordon's group unbeknownst that his brother John is there. Finally the brothers discover who each of them is and.............................. John Wayne had previously portrayed "Singin' Sandy) in a couple of his Lone Star westerns. So as the leader of the "Singing Riders" he gets to sing (dubbed of course) a forgettable tune to the heroine. A singing cowboy John Wayne was not. The film is enhanced by the presence of Yakima Canutt who staged many of the film's stunts including several horse falls and a spectacular "wagon over the cliff" scene. Considering the large cast of riders, this could not have been no easy task. Other recognizable faces in the cast were Glenn Strange, Earl Dwire (who had appeared in several of Wayne's "Lone Stars") and Lloyd Ingraham. Worth a look.